![]() This is far more efficient than transcoding new media if all you need to do is open an ADM file for previewing, or quick edits and re-export. Link to ADM file with import session dataįinally, we’ve added the ability for sessions to link to a WAV ADM BWF file. It enables the beds to participate in different food groups, while still only utilizing a single bed’s worth of input channels to the renderer. This way, Pro Tools can pick off the signal during export before it is merged at the output. Pro Tools will now allow you to assign a Dolby Atmos group to different busses, as long as they are mapped to the same output and bed assignment. This was because the submixes were already mixed together by the time the signal reached the renderer. In other words, if you have multiple submixes for different food groups (dialog, music, FX, etc.), and those mixes ultimately combine to feed a single bed, it was previously impossible to generate re-renders that only included the individual members of the composite. Check out this video for an overview of the process:Ģ022.6 also introduces a more advanced aspect of this feature to help with exporting mixes that are comprised of composite beds. We have also done significant performance tuning of the entire export process. Pro Tools is now able to reuse one of the most time-consuming parts of the export process, which is analyzing all of the pan automation in the session to convert it into a Dolby Atmos mix. There is minimal impact to export time because both processes happen at once. Additionally, while you are bouncing you can simultaneously generate both re-renders and an ADM file. ![]() ![]() This is great if you need to send off any temp mixes for review. You can now quickly generate channel-based mixes, such as 5.1, LoRo, and even a binaural headphones mix without going through the process of generating an ADM, importing it into the Dolby Atmos renderer, and then doing a separate export of the re-renders from the renderer. It introduces the ability to offline bounce Dolby Atmos re-renders, dramatically improves ADM bounce time, and adds the ability to link to WAV ADM BWF files. Pro Tools 2022.6 significantly speeds up Dolby Atmos workflows. DOLBY ATMOS IMPROVEMENTS (PRO TOOLS ULTIMATE AND STUDIO) To get a summary of all recent releases and more, please visit the " What's New in Pro Tools " article. Double-click on MIDI clip to open docked MIDI Editor by defaultįor a detailed technical overview of the new features, be sure to check out the “What’s New in Pro Tools 2022.6” guide and release notes here.Link to ADM file with import session data.Offline bounce of Dolby Atmos re-renders.This update introduces numerous new features and enhancements, including: The Pro Tools 2022.6 software release is now available.
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